{"id":6150,"date":"2026-07-29T07:47:44","date_gmt":"2026-07-29T07:47:44","guid":{"rendered":"https:\/\/mps-studio.de\/?post_type=product&p=6150"},"modified":"2026-07-29T08:11:41","modified_gmt":"2026-07-29T08:11:41","slug":"schnellertollermeierch-live-concert","status":"publish","type":"product","link":"https:\/\/mps-studio.de\/en\/product\/schnellertollermeierch-live-concert","title":{"rendered":"SCHNELLERTOLLERMEIER (CH) LIVE CONCERT"},"content":{"rendered":"
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With the precision of a sewing machine,<\/strong>
\nthe energy of a tornado, <\/strong>
\nthe sharpness of a Swiss Army knife.<\/strong><\/p>\n

There are bands that play beautiful, intense concerts, take a bow, and go home\u2014and there are bands that burst through doors, make time stand still, and etch themselves into the audience\u2019s memory with a clear sense of purpose. Schnellertollermeier <\/b>They are that kind of band. Anyone who has seen them live will confirm this, and anyone who tries to describe their music usually uses adjectives like overwhelming, <\/i>minimalist, brutal, precise, monumental, angry, <\/i>controlled<\/i>, captivating <\/i>or radical. <\/i>Bassist Andi <\/b>Schnellmann<\/b>, guitarist Manuel Troller<\/b>, and drummer David Meier <\/b>They succeed in reconciling these contradictions and forging them into a new, restless order. Their concerts are energetic outbursts born of the tension between modern composition and free improvisation, and behind the doors the band opens lie new, uncharted landscapes of minimal music, avant-garde, and electronic influences, infused with elements of Krautrock and the directness of punk. This has been making waves since their 2008 debut, *Holz*; the audience is glued to the wall, and Julian Cowley from the English WIRE Magazine <\/i><\/strong>suspects that telepathic magic lies behind the clairvoyant interplay of the three Swiss musicians. Here, no concept is set to music; here, pure music flows, possessing a will of its own. The traditional power dynamics between drums, bass, and guitar are Schnellertollermeier<\/strong> consistently eliminated. As a result, the guitar at times takes on the role of the drums as the melodic, sharp-edged centerpiece of the rhythm section, <\/i>while the drums themselves seem to be following a plan of their own. The bass either blends inseparably with the frequencies of its neighbors or becomes a polyphonic protagonist, so that it\u2019s no longer possible to tell where one instrument ends and another begins. There are no solos, only tightly interwoven, high-energy passages brimming with a desire to escalate. The three Swiss musicians have consistently followed this path across their four albums to date, earning themselves a firm place on international festival stages with their genre-bending work. From the FIMAV Festival for Contemporary Music in Victoriaville to the famous avant-garde club SuperDeluxe in Tokyo to the Haldern Pop Festival in Germany. From Europe to Japan, England, China, Canada, the U.S., and India\u2014always in search of the greatest possible intensity.<\/p>\n

Andi Schnellmann: Bass
\nManuel Troller: Guitar
\nDavid Meier: Drums<\/p>\n